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EXERCISE INFORMATION

Discovery 2 - Chord Quality
To know

After the octave, the interval of a fifth is the one that forms the foundation of harmony. The fifth is often considered neutral because it does not alter the color of a chord. The color of a chord is primarily defined by the third. It can be further shaped by additional notes, such as the seventh or ninth.



Goals

The purpose of this exercise is to help you distinguish a simple chord (based on intervals of an octave and a fifth) from a complex chord that includes a third, a seventh, or a ninth.



Tips for success

Remember that simple chords built on the octave and fifth sound less colorful (the neutral or 'perfect' intervals give a sense of unity and openness), while complex chords with a third or seventh sound more colorful (giving a sense of diversity and complexity).



Musical examples
Octave - Simple Sound -
Piano Meludia
The octave F-F is played on the piano. The tonal quality is neutral (neither major or minor).

Minor chord - An enriched sound -
Piano Meludia
The F-Major chord is stable. Since the third of the chord is an A♭, its harmonic coloring is minor.

Music to Goethe's Tragedy "Egmont", Op. 84 - Berliner Philharmoniker, Herbert von Karajan
Classical music Ludwig van Beethoven
The excerpt starts with the orchestra playing the note F in unison. At this stage, the tonality is neutral. Then, the orchestra transitions to an F minor chord. The addition of the minor third (A♭) gives color to the chord. This is repeated twice.